His cinematic choreographies of time, image and space combinations, in which sound always plays a central role, take up cultural-historical topics and translate them into the present. The dichotomy of a German state of mind, the ideological exaggeration of nature, the nostalgia associated with a culturally rich past, and a mystical experience of nature are the cinematic ingredients that unfold in a dialectical game of pathos and tragedy, loneliness and connectedness, longing and forlornness.