Logo Kunst Museum Magdeburg

 

Modern.Iconography.Photography.
The Bauhaus and its Consequences 1919 to 2019 
September 22, 2019 to February 9, 2020

 

 

 

Photography is the image medium that, in addition to architecture and design, is still particularly associated with the Bauhaus in the perception of the viewer. Photography, with its technical flexibility, offered the best conditions for the central idea of the Bauhaus to shape real society through visionary thinking. The exploration of the world with the camera, the crossing of photographic boundaries, creative impulses, such as experiments with light and shadow, promoted a "new seeing" (Neues Sehen); that made the emergence of photography into modernity possible in the first place.

The photography at the Bauhaus between the two opposing positions of Lazlo Moholy-Nagy, who propagated a new exploration of photographic possibilities, and Walter Peterhans, who sought the change from "new seeing" to applied material photography, serves as the starting point for the exhibition, wich shows examples from 1920s to the present.

The exhibition shows the spotlight-like effects of one hundred years of Bauhaus on photography along the time axis to present day. How do influences, references, interpretations in the photographic visual language and comparisons over the decades up to the present day of photography look like? 

 

Artists (selection)

Bauhaus until 1945
Lucia Moholy, László Moholy-Nagy, Xanti Schawinsky, T. Lux Feininger, Herbert Bayer, Marianne Brandt, Hannes Meyer, Erich Consemüller, Florence Henri, Gyula Pap, Jaroslav Rössler, Alexander Rodtschenko, Albert Renger-Patzsch, Hans Finsler, Wols, Edward Weston, Itzak Kalter, Ré Soupault, Ruth Hallensleben, Irena Blühová

Since 1945
Heinrich Heidersberger, Otto Steinert, Harry Callahan, Aaron Siskind, Hilla and Bernd Becher, Ezra Stoller, Walter Funkat, Albert Hennig, Anthony Linck, Krimhild Becker, Gottfried Jäger, Brian Eno, Nicolas Nixon, Richard Misrach, Ed Ruscha, Evelyn Richter, Ulrich Wüst, Kurt Buchwald, Anna und Bernhard Blume, Hiroshi Sugimoto, Joachim Brohm, Matthias Hoch, Maix Mayer, Michael Wesely, Christof Klute, Laura Bielau, Ricarda Roggan 

Project with Students
Bernadette Keating, Mihai Sovaiala, Julius Schreiner, Valentina Plank, Dana Lorenz, Sophia Kesting, Johannes Ernst, Felix Bielmeier, Christoph Brückner, Isabell Hoffmann, Florian Merdes, Nicole Burnett , Alexander Rosenkranz, Nea Gumprecht, Florian Weber

 

Photo: top: Marianne Brandt, Self-Portrait, simultaneous, around 1927, © Galerie am Sachsenplatz, Leipzig; bottom: Joachim Brohm, Moholy-Nagy House, 2015, © VG Bild Kunst 

 

 

    TE North Pole – 24x the World 2016

Media installation

since January 23, 2016

 

Photo: Kunstmuseum Magdeburg

 

Thai artist Te, born 1968 in Utaradit, presents his digital world sundial consisting of 24 monitors in the museum foyer. The monitors, fastened to a round rack system, show webcam images from all over the world. Part of the screens remains dark when it is night in one region whereas life is pulsating in another part of the world.   

 

The visual round trip starts in Iceland, followed by Brazil (Rio de Janeiro, Copacabana), Aguiella (Puerto Rico), the Virgin Islands, New York and 10 further places in the US, incl. Hawaii, as well as Tokyo, Boracay (Thailand), Bali, Bangkok, Dubai, Qatar, Jerusalem, Hamburg and Dublin.